Script Writer
Understanding Script Writer
Definition editor / Writer Script according to Indonesian
Dictionary of the people who edited the manuscript or article to be published
in magazines, newspapers, etc., while understanding the scenario is the plan of
a play or film script of a scene after scene is written in detail.
Thus, the general understanding script scenario writer or
editor is in charge of editing scripts to be produced by a company or a film
producer.
Scenario in the sense here is the scenario for the film,
whether presented in a series on television (soap opera) as well as screenplays
for feature films. Scenarios to play the play is not covered here because it's
not working areas Script Writer in a production house (PH) or film production house.
Scenario of a series of scene after scene
story (part) written in detail by an author or team of writers who will be
visualized in the form of images.
Based on that information, essentially an SE bridge between
the author served with the director, producer, and also the image editing to
give the best results, so the impressions generated by the audience liked.
(More or less the same as the editor in the publishing world that has more to
understand the position and performance by the community).
Editorial aspects that need to be understood by a Script
Writer included in some ways, as follows:
1. Understanding the vision and mission of the company where
he worked in general to handle the scenarios, whether for social or commercial
purposes, for the series of short-term, long term, or a movie off.
From here, a Script Writer also must understand and
correctly understand the standards the company places itself working to assess
and determine appropriate scenarios to be produced.
Each company has a standard assessment and feasibility of
different. A writer can be considered great in company B, he did not mean
anything in company D, for example.
However, there are
universal values that apply everywhere, so the scenario can be said to produce
good and decent.
2. Understanding the type of story that would handle,
whether it's type of drama, documentary, and comedy.
Knowing the type of story is very important because a Script
Writer will know how to direct the writer if there deficiencies that do not fit
with the notion of the story.
3. Understanding where the story scenarios that will be
produced as a whole.
Usually to determine the overall story, which is contained
in a global synopsis already involves several parties concerned to produce soap
operas or movies, the writer, Script Writer, director, and producer.
Often the image editing section included to provide feedback
about the things that should not have to be written, do not need to take
pictures because redundant.
Determination of the global concept of the direction this
story will be very helpful script when the script writers Writer handled
already distorted and not focused on its original destination.
4. Understand what each of shortage of writers who handled
the story so easy to provide direction and input for the revision process of
the authors can give the best results, in accordance with company standards and
global concepts that have been agreed from the beginning.
5. Understand that writing the scenario is not only a good
idea to move in the paper.
Results are listed in
writing in that scenario must be able to properly visualized so that it can be
accepted by the audience. It is futile, if a scenario writer describes a scene
or a great description of the scenario, but can not be visualized.
The need to always remember, the purpose of writing
scenarios is to visualize the results visualized and that's what people watch
or enjoy.
6. Checking things generally agreed what should not be
present at the spectacle, such as excessive physical violence, swear words and
dirty degrading human dignity, the concepts that contain criticism, slander, or
any other degrading , Etc.
7. Checking the technical completeness of the manuscript;
files, printouts, recaps players, synopses of episodes, characterization, and
others. Each company has their own rules about this.
8. Provide feedback to the director for making certain
scenes that could be explained verbally, but can not be explained in the
description in the scenario. Not to forget also provide feedback to the editor
of a picture of the scenes that can not be eliminated or should be eliminated.
In order to carry out and fulfill all the tasks that editorial, a Script Writer
is not only one who has knowledge or sufficient experience in the field.
Script Writer, however one must be a man
capable of placing himself as a candidate for the audience when he read a
scenario by imagining an objective visualization, whether stated in writing
that such scenario would be interesting or even to annoy the audience, and has
the ability to direct the authors in improving writing.
Thus, in the revision process of
writing the author can give as expected.
Script
Writer must be a man who has a clear vision, has extensive knowledge, have good
communication skills because he will deal with the writers, directors,
producers, and other parties related to film production, and are willing to
continue studying because of the development information is extremely fast,
would not want to prosecute a Script Writer must continue learning so that what
is conveyed in the direction the author is no longer the old-fashioned or even
no longer of interest to the public.
Script
Editor is the first to find out whether or not a good scenario, other than the
author - of course - which is often claimed that his writing is best, and those
who first saw the objective mind whether he had read the scenario good or bad,
worthy or not feasible to produce, what the pros and cons.
In the hands of an experienced Script Writer, a scenario
that is very bad but the premise is a good embryo, can be made excellent, even
when only read one, others can fall in love and are interested in waiting for
results visualization.
With
the help of a Script Writer Besides, the original author did not have time to
think 'crazy things' to be written, could give rise to the writings of the
extraordinary.
Unfortunately,
Script Writer's existence has not been as strong as other job positions in a
PH. In fact there are probably a lot of PH does not have Script Writer, feeling
quite satisfied with the ability to rely on the script-writers who are
considered perhaps already experienced.
But
remember, no matter how experienced a screenwriter, one day he will not forget,
he will attend not notice the quality of his writing-especially for the series
of impressions more than 100 episodes.
Here
is necessary the presence of another person, who can see and read the scenario
objectively, the script.
Script Writer's
Award to feel very little else. This shortage is not solely in terms of
material that can easily be mentioned feasible or not feasible.
With
a working system that is usually not bound by time, many PH that did not even
include the name of SE which handles a specific title that appear in television
soap operas as well as in wide screen.
PH
was pretty displays the name of the author alone scenario, considering that all
born of a writer. And Script Writer has major stakes in the birth of a great
work through writing a good script.
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